Movie Anime

The third Taoist Mutul movie.

A short animation by Nobuhiro Aihara

Film by Tanaami Keiichi

Graduate Work 2018 by Karin Kobayashi (Maro Tasoya), Department of Graphic Design, Tama Art University.

This story is about a place long ago, before birth and before death, that everyone knows and no one knows.

Graduate Work 2018, Tokyo University of the Arts, Graduate School of Film and New Media, Department of Animation

(Source: Geidai Animation)

Once we called the noble, profound and mysterious existence The Great. We have moved with the time, our thought and consciousness has changed. And yet what makes us still keep calling it The Great?

(Source: kankaku.jp)

A movie taking place in the same universe as Solar I.II.III. Once again, a group of teenagers save the world with their giant robot.

The story begins as archaeologists discover a crudely-made artifact while doing an archaeological study before the entire area was to be flooded following the construction of the Three Gorges Dam. The archaeologists identify it as being made by Mak-zi (also known as "McFat"), an ancient Chinese philosopher who had invented many things, but were arguably ahead of its time - for example, a myriad of electronic devices before the discovery of electricity. However, the crudeness of the artifact has led to the artifact being rejected for every museum in China and abroad, and thus, unwilling to destroy it, the artifact was set on a barge, continuously moving along the Yangtze River. The story continues on to Mak-zi's descendant 18 generations later, McDull (Kwok Kwan Yin), a kindergartener living in Hong Kong.

(Source: Wikipedia)

McDull is not the brightest kid on the block, but he continually tries to do his best and please his mother. Although it seems that he may not be destined for great things in life as his mother wishes, McDull never gives up.

The story focuses on several tales about McDull and his childhood. This is told as a narrative reflection of a now adult McDull. These tales muddle up in imaginative uses of Cantonese and heaps of local Hong Kong culture. From tales about a turkey dinner to dreams of following in Lee Lai-shan's footsteps, McDull faces ebbs and flows with his demanding but devoted mother.

(Source: Wikipedia)

McDull, Prince de la Bun is a 2004 animated Hong Kong film directed by Yuen Toe. Telling the life a the fictional pig McDull, it is a sequel to My Life as McDull (2001) and it was followed by McDull, the Alumni (2006).

(Source: Wikipedia)

We cannot stay here any longer. We must leave tomorrow morning. A clown convinces and hurries the residents of an amusement park, a girl, a gay, a soldier, a dog, to be in time for the merry-go-round.

Graduate Work 2013, Tokyo University of the Arts, Graduate School of Film and New Media, Department of Animation.

(Source: Geidei Animation)

Mayumi is a spoiled girl whose parents buy her everything she wants. She names her name "Mayumi" to everything she receives, and her room is gradually filled with many Mayumis. Mayumi herself gets swallowed by the characters of her name.

1st year work 2016 by Chinami Taniguchi, Tokyo University of the Arts, Graduate School of Film and New Media, Department of Animation

(Source: Geidai Animation)

The adventures of high school girl Ireesha and her friends (talking frog and guitar-fairy Robby) as she visits Elf world to retrieve her friend’s soul.

"The Pine's Branches" is the latest work in Murata Tomoyasu's series "Journey through memories of life and death,” which he began following the Tohoku earthquake in 2011.

A single line drawn in pencil grows and changes its shape as it grows like a living creature. This is a film that explores unexplored territory in the art of animation. One might think that beautiful pictures, a compelling story, and brilliant movement are the three essential elements of a good animated film.

However, the word "anima" from which animation is derived, as we all know, means "to breathe life into". I thought that "life" means "limited time" and that there could be an approach that does not include any of the aforementioned "three elements". The result of several years of exploring new methods was an "animated film" that eschews the so-called "animated" structure. This film aims to visualize "shifting consciousness" through a method of filming in which approximately 5,000 pencil drawings are constantly overlapped"

(Source: Vimeo)

With this work, I developed/fleshed out the idea I had when making GHOST of peeling only the skin from various objects in the room, floating the skins in midair and then sticking them on different objects. This film was also shot entirely frame-by-frame with long-exposures. Along with GRIM, its meaning is ‘as if to do forever`

(Source: Takashi Ito)

Movie version that lampooned several Japanese Folklore Tales, including that of Princess Kaguya.

Based on a manga by Hosono Fujihiko, serialised in Weekly Shounen Sunday.

(Source: AniDB)

Three amazing girls--the far-too-strong Silvia, the gun-totin', bullet-blastin' Laurie, and the scientific magical girl Fumi--have formed the Guardy Girls, a brand new team of heroes! They're faced with a rogues gallery of wacky, off-kilter villains--and fellow do-gooders, too! It's a grand way to kick off the Girls' daunting, amazing dream of a hero run!

(Source: Official YouTube)